A Performance and Conversation with electronic musician Tara Rodgers

A Performance and Conversation with electronic musician Tara Rodgers

Wednesday, October 18th. 7:30 p.m. – 9:30 p.m.

Snell 005


Performance info: 

Tara Rodgers (Analog Tara) will perform a set of ambient electronic atmospheres and techno/electro beats. Sounds are sourced from multiple analog synths and drum machines; tracks are produced and performed with Ableton Live. The compositions explore some fundamental material and metaphoric aspects of electronic sound: lightness and weight, surface and depth, densities and space. The music is motivated by a question: What are the capacities of electronic sound as a force for feeling and a source of healing? 


Bio: Dr. Tara Rodgers (Analog Tara) is a multi-instrumentalist composer and historian of electronic music. She is the author of Pink Noises: Women on Electronic Music and Sound (2010) and numerous articles on the history of sound and synthesizers. Her music, from analog techno to generative sound installations made with SuperCollider, has been presented around the U.S. and internationally. She has taught at the School of the Museum of Fine Arts (Boston), the University of Maryland, and Dartmouth College, and serves on the editorial board of Leonardo Music Journal. | @analogtara on Twitter |


Event funded by Faculty Innovations in Diversity and Academic Excellence Grant


Wed, Oct 18, 2017

7:30 pm-9:30 pm