Francesca Inglese is an ethnomusicologist, historian, and musician whose scholarship investigates how African and African diasporic communities deploy sound and embodied practice as vehicles for knowledge production, identity formation, and social transformation. She uses multiple methods and an interdisciplinary lens to analyze how sounds illuminate the uneven global and local dynamics among power, difference, and value, and to center the ways individuals and groups use their creative agency to challenge the social order, create connection and value, and imagine new futures.
Her forthcoming book, Remixing Race after Apartheid: Kaapse Klopse in South Africa (Wesleyan University Press’ Music/Culture Series) is an ethnography of Kaapse klopse, a South African carnival tradition, and it uses this genre as a critical lens to explore how sound mediates racial identity in the postapartheid era. Drawing on immersive fieldwork, interviews, and performance analysis, the book employs methods from sensory ethnography, sound studies, and critical race theory to foreground participants’ lived experiences and aesthetic practices.
Her current book project, Dark Angels, reframes the violin by attending to its integral place in the development of Black American popular music genres; documents a long genealogy of genre-bending Black violinists whose radical innovations have been critical, but long ignored; and illuminates the ways in which musical instruments become richly layered with social signification, continually transformed in the hands of musicians.
Since 2020, she has worked in collaboration with the Transformative Culture Project (Dorchester, MA) to address inequitable access to music education in Boston through the creation of a popular music program for high school students from intensely segregated Boston public schools called Beyond Creative @ NU.
As a violinist she has studied, taught, and performed a diverse array of repertoire, including Baroque, jazz, bluegrass, and Carnatic music in India, Scotland, Iceland, and the United States. She has taught at Dartmouth College and Brown University.
Research/Publications Highlights
Francesca Inglese has been published in Ethnomusicology (2024), the Journal of Popular Music Studies (2024), the Journal of the Society for American Music (2013, and forthcoming 2025), Women & Music (2022), African Music (2014), amongst others.
Departments
Music
Education
- PhD, Ethnomusicology, Brown University
- MA, Ethnomusicology, University of Toronto
- BA, Music, Vassar College
- CERT, Braddhvani: Research and Training Centre for Music of the World
Awards
- AMS PAYS Award, American Musicological Society
- Faculty Fellowship, National Endowment for the Humanities
- Faculty Innovations in Diversity and Academic Excellence Grant, OIDI/ADVANCE, Northeastern University
- Social Justice and Anti-Racism Grant, CAMD, Northeastern University
- Joukowsky Family Foundation Outstanding Dissertation Award for Superior Achievement in the Humanities, Brown University
- American Dissertation Fellowship, American Association of University Women
- Ruth Landes Memorial Research Fund Grant
- Society for Ethnomusicology 21st Century Fellowship
- Steinhaus/Zisson Research Grant, Pembroke Center for Teaching and Research on Women, Brown University
Research Focus
- Ethnomusicology
- Popular music
- African diasporic music
- American music
Courses Taught
- Music, Noise, Silence
- Musical Communities of Boston
- Global Music Cultures
- Music & the Racial Imagination
- Jazz — Culture, History, Practice
- American Roots Music