Unmasking the Black Woman
2026
Collage, paper, cardboard, thread, colored pencil
20″ x 40″
Drawing inspiration from the Art of Africa exhibitions and Simone Leigh’s sculptures at the MFA, this piece centers on the agency and strength of African and African American women. It integrates symbolic elements like initiation or celebration masks and Kehinde Wiley-inspired floral patterns to display a sense of heroism. Ultimately, the work reflects my personal experience as a Black woman navigating the necessity of resilience for myself and my community.
Weighing on My Mind
2026
Ink, linocut print, acrylic paint, thread, paper & cardboard, lifting tape
36″ x 48″
As a powerlifter and part of Northeastern’s Powerliftng Club, I prepare for my competitions up to a few months in advance. This piece uses ink, linocut print, acrylic paint, thread, paper & cardboard, and lifting tape to represent the chaos and anxiety of one of my meets during one my most difficult and mentally taxing semesters, which led me not to perform as well I would have wanted. “Three White Lights” is the results the three judges give for a perfect lift, and when it is not, the colors – red, blue, and yellow – are used to signify that.
My Hair
Wire, synthetic hair extensions
26″ x 14″ x 25″
This piece maps my personal hair journey, celebrating the evolution from chemically straightened hair to the diverse natural styles and colors I’ve embraced since middle school. By weaving leftover synthetic hair onto a wire sculpture, I physically manifest the deep connection between my hairstyling and my sense of self. Ultimately, the work honors the pride and creativity inherent in Black womanhood and the role of hair as a powerful tool for identity and self-expression.
By
Layne Asante