The Data at Hand: Data Physicalizations of Earth and Space

Wide angle view of "Soft City" installed in the MIT Museum. "Soft City" is a textile-based art piece depicting a flood zones map of Roxbury in Boston, MA. It is a patchwork of vibrant color including purples, pinks, blue and yellow. The surface is richly textured and soft to the touch. The piece is installed horizontally on a table, giving visitors at the museum an opportunity to touch the art piece.
"Soft City" by just practice. Photo by Anna Olivella.

From political forecasting to the charting of global temperatures, data visualization has become a trusted tool to translate and give form to information. As scientists and activists have struggled to accurately communicate the enormity and urgency of humanity’s impact on the Earth, they’ve looked to data visualizations as a key means of communication. Yet these tools—which saturate so much popular media—can be difficult to engage with on a personal level, and at worst can engender feelings of numbness and powerlessness. Data physicalization, or the act of giving a data set physical form, can counteract the data fatigue that we face in a world of digital visualizations.

Bringing together new commissions and existing work from artists Nathalie Miebach and just practice (Amanda Ugorji and Sophie Weston Chien), The Data at Hand: Data Physicalizations of Earth and Space considers these questions and concerns around forming knowledge and the environment. The exhibition highlights work in traditional craft materials like fiber, wood, and glass by artists who aim to make the complexity of our planet concrete and accessible. Drawing upon datasets from sources ranging from the shifting terrain of riverbeds to the practices of redlining, these artists make clear that data isn’t confined to spreadsheets. It bleeds into the world, affecting the actions of individuals and institutions. The Data at Hand offers us powerful examples of physical and experiential means to escape feeling lost in data, modeling the power of grounding it in experience and the material world.

Organized by Kayleigh Perkov, guest curator, with Juliana Rowen Barton, Director of the Center for the Arts and University Art Collections and Stephanie Hanor, Director of the Mills College Art Museum

The Data at Hand: Data Physicalizations of Earth and Space is presented as a collaboration between Gallery 360 and the Mills College Art Museum. The exhibition will be on view, in an expanded form, in Oakland in Fall 2026.

By

Kayleigh Perkov, Juliana Barton and Stephanie Hanor

Date and Time

January 21 – April 4, 2026
Monday-Saturday, 12-5pm

Location

Gallery 360, 1st Floor of Curry Student Center near Ell Hall; 360 Huntington Ave, Boston MA 02115

Admission

Free

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Exhibition Programs

Image of Nathalie Miebach's data physicalization art piece, "The Burden of Every Drop."

Wed, Feb 11, 2026

3:00 — 5:00 pm

Gallery 360

Love Data Week: Gallery 360 Tour & Reception

Gallery 360
Ell Hall
346 Huntington Ave.
Boston, MA 02115

Wide angle view of "Soft City" installed in the MIT Museum. "Soft City" is a textile-based art piece depicting a flood zones map of Roxbury in Boston, MA. It is a patchwork of vibrant color including purples, pinks, blue and yellow. The surface is richly textured and soft to the touch. The piece is installed horizontally on a table, giving visitors at the museum an opportunity to touch the art piece.

Fri, Mar 20, 2026

2:00 — 3:00 pm

Gallery 360

Processing Data: just practice and Cara Michell in Conversation

Raytheon Amphitheatre
120 Forsyth St.
Boston, MA 02115